Okay, I have seen my family aka ‘models’ on about everything through the years as a photographer. My wife and son have been on magazine covers, in books, on brochures, hangtags, instore displays, mouse pads, bill boards…when you are shooting for stock, your images show up a lot of places. Yesterday I was driving through Zion scouting some locations for an upcoming workshop, and pull up behind an RV. I’m sitting there day dreaming when all of a sudden it registers that I know this photo plastered all over this RV. Not only did I take it, but it is my wife and son, Cree and Skyler. We were shooting stock on the colorado river in Moab, and this was one of the shots from the shoot. Of course I was excited, jumped out and took a photo. Pretty cool to see the gang on an RV. And then I saw the same shot on another RV. In Bryce I ran into 3 more RVs with my family towering on the back. All of a sudden I see them everywhere I go! Some might be wondering why I didn’t know about this image use…we often get statements from our stock agencies and learn of sales that have already occurred, similar to this use. So the next time you see an RV this summer, check out the back for the cool canoeing family!
Check out that RV on the road
May 16th, 2012D800 as a travel camera
May 3rd, 2012
I’m in Ireland right now, I have been teaching a workshop for Strabo Tours. We have toured the green Irish countryside, sampled pub life, and even had a day of horse racing. I decided to make the D800 my primary travel camera and put it through the paces..slow hand held shooting, high ISO indoor shooting, and maybe even some sports shooting. D800 and sports shooting? Read on!
One concern I had was hearing you needed to use a tripod all the time with this camera due to the high resolution which amplified shaky hand held shooting. All the images shown here were hand held, no tripods used. In fact I rarely used a tripod and never had an issue with blurry photos other than when I was wobbling in the wind (wouldn’t have mattered what camera I was using). It felt like I was using a D700, except the files were 36MP. The sheep/fence shot was taken at 1/160, F5.6 at ISO250.
We had some overcast days which had me shooting under 1/125 and hand holding my shots…I could have used a tripod, but wanted to be more mobile in my shooting and work the whole beach. This beach rock was shot at 1/60, F8 at ISO200.
Another big question is how good can the ISO performance be with all those pixels packed into that sensor. The image of the musician was shot at ISO3200, 1/160 at F1.4. The D800 does very well with noise at ISO 1600 and 3200, similar to the D7000. Sure, this camera is not the D4 or D3 at high ISOs like 6400, but what I learned very quickly is I can shoot at ISO3200 and get nice, publishable images. I reduced noise just slightly in this image via Photoshop.
The D800 as a sports camera? Well, you’re right, the 4FPS frame rate is not going to compete with a D3 or D4. But the large files and nice ISO performance allowed me to capture these racing horses with a 24-120mm lens and crop down to a tighter shot, and still have a large file to use. 1/1250, F5.6 at ISO 1000. And remember you can shoot in DX crop mode at a faster frame rate and still have large files to use.
I roamed around the track and shot detail images of the horses and riders between races. 1/320, F5 at ISO 640.
Overall I have come to find that the D800 does a lot of things better than any other camera I’ve owned before. Large file size, very good ISO performance, low light focusing ability (imagine those dark interiors on your travels), in camera quick time movie production..this camera is really a huge step up. And of course the D800 has amazing video performance which will be the subject of another post. For shooting fast action sports, I’ll grab a D4. But for many of my shoots, the D800 will be in my hand.
Nikon D800
April 24th, 2012
I have one thing to say about the D800…incredible! I have been shooting one for 10 days, and I’m impressed. Why? 36MP and very good noise performance at 1600, generally about as high as I shoot. But what I have really enjoyed is using one lens, my 24-120mm, and cropping down images if needed to produce an image similar if I was using a telephoto…the narrow angle of view is like using a 1.5x sensor camera with a long lens.
Here is an example. I was recently in the Smokies, and these turkeys were just a little to far away for my 24-120mm lens. But I cropped down to a much closer shot, and still had a 16mb file.
Here is the cropped image. Still lots of detail. I am finding I switch lenses less because I know I can crop down later if I want a tighter shot.
The camera files do take up a lots of card space, but I’m using Sandisk 16 and 32GB cards which give me hundreds of images per card. I’m en route to Ireland right now, and will show in my next post the ISO performance of this great camera. I was looking for a new light, smaller camera for travel, and the D800 fits the bill. Stay tuned for more performance news shortly!
Elinchrom iPhone App
April 15th, 2012
Recently I had the chance to see a new iPhone app in action, and knew I needed to get it. Elinchrom makes an app for both the iPhone and iPad that can control Elinchrom Quadras and other RX heads from the device. The cool part of this is you use the Elinchrom wifi transmitter to create your own portable wifi network. You open the app on your phone, choose the Elinchrom wifi network, and you are ready to go. You can adjust all the necessary controls on the Quadra including power to Quadras in different groups, modeling light, test firing, slave eye, sound, auto-off…way more than what you can do with a normal Skyport. I just did a editorial shoot the other day, and for a portrait we tried out this new system. It works great!
Combat Photography
April 10th, 2012
A good friend of mine, Stacy Pearsall, has just finished her book, SHOOTER, and this is one everyone should check out. Stacy spent many years as a combat photographer in the army serving in Iraq and other areas, capturing sobering images of this war. She was wounded twice, and her story shows in detail what it is really like being a photographer in this situation. I’ve seen Stacy speak to numerous large audiences, and there isn’t a dry eye in the audience after she finishes. A very powerful story, incredible images, and fresh look into what the Iraq war was really like. You can order her book here.
Star trails, iPhones and Death Valley
March 27th, 2012
Camera technology is advancing at a rapid pace, and doesn’t seem to be slowing down. Just look at Nikon’s latest releases, one camera that can focus almost in the dark and shoot 10FPS(D4), and another camera that is 36MP (D800). Not to mention their incredible video abilities. I was reminded of this on a recent trip to Death Valley with friends. One thing I always felt digital cameras lacked was the ability to shoot long exposures and get a decent image. The noise was just to much. But that is not the case anymore. The image above was a 45 minute exposure on a D3, and I did zero noise reduction on the image you see. Just remember, if you want any real streaks you have to leave the shutter open for 45 minutes or longer using a wide angle sky. I use a locking cable release, set my shutter to Bulb and aperture wide open. Turn off your autofocus, manually focus to infinity and back off just a touch, and make sure you have your in camera noise reduction on. And fresh batteries. A 45 minute exposure takes an additional 45 minutes to process with your in camera noise reduction on.
Death valley is the largest national park in the lower 48, and offers many desert landscapes to photograph. Mesquite dunes shoots well both at sunrise and sunset.
My trip there felt like an experiment in photographing color. Cool blue starry nights, warm sunsets and stunning red sunrises. Remember to watch your red channel when photographing red skies. You will get some clipping, but be careful not to clip the red channel to much or you will get blocked out colors.
I finally broke down and bought an iPhone. One feature I was very interested in trying out was the 8 MP camera. This image of the salt flats was taken with the phone. The quality was quite good, a little noisy as one would expect with such a small sensor but very usable. I reduced noise in CS5 and added some contrast and saturation. The file is 72dpi 22MB size out of the phone. iPhone images are being published everyday, take a look at Scott Kelby and Terry White’s book The iPhone Book to really learn what this camera can do. To download iPhone photos to your computer, plug your phone into your computer and open iTunes, the program will give you options to download.
Shoot The West
March 18th, 2012
Just back from 3800 miles on the road in two weeks, love the freedom to get in the car and go. I spent half the time working, and half the time on spring break with my family.
I started by teaching at Shoot the West, a fantastic workshop held in Winnemucca, NV. Each year this workshop/tradeshow brings in around 300 people for a long weekend packed with seminars, workshops and keynote speakers. My friends Stacy Pearsall and Andy Dunaway also were at the event, incredible photographers with sobering images from the war in Iraq and elsewhere.
I taught two lighting classes during the week, including one session high on Winnemucca Mountain above town. This workshop is great, you go from photographing cowboys one moment to runners the next.
One new piece of software I learned about is Starstax. This program, which is free, allows you to stack multiple exposures into one image. It is great for shooting one star trail image that is composed of hundreds exposures. The shorter images eliminate noise issues of one long exposure. I’ll show a few other things you can do with this software in a future post.
Macbook Air
February 22nd, 2012
I’m on the road a lot, and packing for a trip turns into an exercise in keeping my weight to a minimum. I think of it as packing for a backpacking trip, every ounce counts even though I won’t be carrying it all on my back. I’ll run down my camera gear in another post, but one item that I get a lot of questions about is my laptop, a 13 inch Macbook Air.
I struggled over getting a traditional laptop with a disk drive and standard (non SSD) hard drive. For the same price I could get more drive space, more external ports and faster processors. But in the end I went with a 13″, 1.7 dual core i5 with 256GB solid state drive and 4GB of memory….in a slim computer under 3 pounds. It was the right choice.
My biggest concern was performance running CS5 and Lightroom. For my needs, this computer is much faster than my old dual 2.0 intel machine, and the solid state drive means boot up time and opening applications happens in mere seconds. I have worked on 200MB files on this machine in photoshop, and even heavy processing using liquify and lens correction happen in a snap. The keyboard is backlit, and the battery lasts for hours, much longer than my old machine.
One consideration was 256GB of drive space. For some photographers, this may not be enough. But for me, this is more than enough. I only store a few 1000 jpegs on my laptop I use teaching workshops, so I don’t need gigs of space for my images. I will use my machine to backup my images on a shoot, which can be around 150 gigs on a big shoot. But I still have plenty of room for images, plus all my applications. Once I am back in the office , I backup my assignment images, and delete them from my laptop. I have found a few times I needed a DVD drive to install a program, so I bought the external drive to go with the laptop. I doubt I will use this external drive again. If you are doing heavy duty photoshop work and want a larger screen, then the Air might not be for you. But I have to say, I just got back from two weeks in Chile and the Air performed like a charm. And it was so trim and light I didn’t even know it was in my photo backpack.
Atacama Desert
February 13th, 2012
The Atacama Desert is one of the driest deserts in the world…except right now. We are experiencing some of the most rain they have seen in years, which is providing some amazing shooting situations. I was lucky enough to catch some lightning shooting a passing storm in the Valley of the Moon.
With all the rain, we have found great reflection pools in the desert and on the salt flats. One point to remember with reflections, the lower you get, the more clouds you have in the reflection. This image was taken lying on the ground.
We stopped by a flamingo preserve and found lots of flamingos to shoot, and a long lens was not needed. I like to use a 9 point autofocus pattern to track birds in flight, this gives me the fastest focusing…no need for 51 point when you know which way your subject is going.
I have continued to be impressed with the 24-120mm F4 Nikon lens. At f22, it creates amazing sunstars as seen here. This is my favorite travel lens.
Easter Island
February 9th, 2012
I’m on a photo workshop right now with Photo Quest Adventures exploring Easter Island. The Moai statues are magical and great subjects for photography. Topaz Adjust 5 is working well with adding some snap to many of the images. We are also using Alien Skin Exposure 3 to add some great effects to sunsets…the Velvia action is a favorite.
Speedlights are a travel photographer’s best friend. Time and again scenes photograph better with a little help from flash. For the shot above, a SB900 was triggered off-camera using a SU800 transmitter, and a warming gel was on the flash to add some earthy tones to the image.
Another fascinating aspect of this island are the Rapa Nui people. At one point their numbers dwindled to 111 people on the island, but today their culture lives on. We were lucky to photograph a couple Rapa Nui in ceremonial dress at sunset, a very special shoot. I shot my Nikon 85 1.4, my favorite portrait lens. I used one SB900 off-camera and darkened the background exposure 1 1/2 stops for this shot.