Photography On Location

Archive for March, 2010

Red Waterfall

Saturday, March 27th, 2010

I was recently in Arches National Park, and they have had a lot of snow and rain this spring.  Rain can produce some interesting things to photograph in the desert including rainbows and reflection pools on the slickrock.  But what I hadn’t seen before was a bright red waterfall.  This little stream in the park only runs after a shower, but this time it was running really strong and bright orange due to the sediment in the water.  I’ve seen some murky creeks after storms before, but this stream really had strong color.  Despite the rain I set up with a rain cover on my camera, and used the Singh-Ray Vari-ND filter to get a slow shutter speed.  This filter blocks from 2-8 stops of light, and is a great way to reduce light and produce slow shutter speeds in the middle of the day.  Speeds up 30 seconds are possible even with sun.  Tech: Nikon D3, 24-70mm, 13 seconds at F11, ISO 200.

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San Diego

Tuesday, March 23rd, 2010

Just returned from a workshop in San Diego for the Mentor Series. Myself and Essdras Suarez, a shooter for the Boston Globe, were the instructors for the group.  We had a great group and packed in the shooting and teaching.  The students enjoyed seeing our two different styles of shooting everything from landscapes to portraits.  I really enjoyed the surf shoot, and had a quick moment to photograph Josh during this  session.  I used my new favorite lens, the Nikon 45mm tilt shift, for the shot in available light.

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wild west

Wednesday, March 17th, 2010

Just returned from speaking and teaching at a unique symposium, Shoot the West, in Winnemucca, NV.  I didn’t know much about this area when I arrived, but what  I found was a location rich with interesting history, ghost towns, cowboys, basque herders, historic buildings and some of the friendliest people you will meet.  I taught a location lighting class with the help of Dave Erickson and Craig Moore who I met at a Manfrotto event a year ago, and also spoke at the conference about adventure sports shooting.  For the lighting class we shot skateboarders and bikers at the local skate park, and these kids were really talented.  All that was needed was huge power from the Elinchrom Rangers and we were set.  The students got some great images!  I also got to judge a photo contest that was part of the symposium, fantastic work documenting cowboy life and the West in general.

I had a little free time before the conference and drove out to Paradise Valley to a ghost town.  I love exploring these areas, and the tilt shift lens seemed to be the right choice for adding even  more mystery to the image.  Tech: Nikon D3, 45mm tilt-shift, 1/800 at F2.8, ISO 200.

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wonderful surprises

Saturday, March 6th, 2010

The other day I was driving way out in the country looking for locations for upcoming shoots.  I came over a hill and there, standing in the middle of a field, was a prison cell…I’m not kidding.  I couldn’t believe it.  What was a jail cell doing by itself in a field in the middle of nowhere?  After finding the owner I realized he loved making things out of scrap metal, and in his collecting he found two parts to a maximum security prison cell.  So he welded them together and added them to some other old machines he had in his field.  This was a gold mine of locations, a jail cell with no one around and I could use to shoot in…I was giddy with excitement!

I returned with Chris, one of my favorite models to work with, and also someone who would be a perfect ‘prisoner’.  All that was needed was a little lighting magic.

We tried lots of different lighting, gel and fog set ups.  I liked a lot of them, but I really like the shadows in the top shot, and the gelled lights in the other image. Critical for effect in all the shots was a Rosco 1700 fog machine.  This thing cranks out enough fog to get the fire department’s attention!  The top image was lit with two Elinchrom Quadras.  One light with standard reflector was to the left lighting Chris and adding shadows to the wall.  A second blue gelled light hit the back wall and fog.  The other image had two Quadras and one Ranger.  One Quadra was shot through an overhead gridded square Rotalux softbox (held on a boom arm).  The second Quadra shot into the smoke behind Chris with a blue gel attached.  The Ranger triggered an A head shot through a 20 grid and red gel through the door window.  This light was hidden behind the door.  All lights were triggered by the Elinchrom wireless Skyport system.  Tech: Nikon D3, 24-70mm, 1/200 at F13, ISO 200.

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Look for the clouds

Thursday, March 4th, 2010

It is interesting to see what motivates people to shoot. Inspiration to create comes in many forms, and nothing gets me more excited than seeing an interesting sky develop.  I have never been interested in stripping in a sky that wasn’t there in my shot.  I like some of these images, but I would rather have it in the frame when I take the shot.  The other day we had some great clouds streaming overhead, and I had a portrait shoot set up with a local mountain biker.  Right on cue the clouds filtered in for a great sky background.  I did a time laspe to really highlight these clouds, it’s linked below.  Elinchrom Ranger with a 39″ deep octa on the left, 20 degree gridded head and Ranger on the right.  Triggered by Skyports. Tech: Nikon D200, 18-135mm,  1/160 at F13, ISO 100.

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