Photography On Location

Archive for February, 2012

Macbook Air

Wednesday, February 22nd, 2012

I’m on the road a lot, and packing for a trip turns into an exercise in keeping my weight to a minimum.  I think of it as packing for a backpacking trip, every ounce counts even though I won’t be carrying it all on my back.  I’ll run down my camera gear in another post, but one item that I get a lot of questions about is my laptop, a 13 inch Macbook Air.

I struggled over getting a traditional laptop with a disk drive and standard (non SSD) hard drive.  For the same price I could get more drive space, more external ports and faster processors.  But in the end I went with a 13″, 1.7 dual core i5 with 256GB solid state drive and 4GB of memory….in a slim computer under 3 pounds.  It was the right choice.

My biggest concern was performance running CS5 and Lightroom.  For my needs, this computer is much faster than my old dual 2.0 intel machine, and the solid state drive means boot up time and opening applications happens in mere seconds.  I have worked on 200MB files on this machine in photoshop, and even heavy processing using liquify and lens correction happen in a snap.  The keyboard is backlit, and the battery lasts for hours, much longer than my old machine.

One consideration was 256GB of drive space.  For some photographers, this may not be enough.  But for me, this is more than enough.  I only store a few 1000 jpegs on my laptop I use teaching workshops, so I don’t need gigs of space for my images.  I will use my machine to backup my images on a shoot, which can be around 150 gigs on a big shoot.  But I still have plenty of room for images, plus all my applications.  Once I am back in the office , I backup my assignment images, and delete them from my laptop.  I have found a few times I needed a DVD drive to install a program, so I bought the external drive to go with the laptop.  I doubt I will use this external drive again.  If you are doing heavy duty photoshop work and want a larger screen, then the Air might not be for you.  But I have to say, I just got back from two weeks in Chile and the Air performed like a charm.  And it was so trim and light I didn’t even know it was in my photo backpack.

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

Atacama Desert

Monday, February 13th, 2012

The Atacama Desert is one of the driest deserts in the world…except right now.  We are experiencing some of the most rain they have seen in years, which is providing some amazing shooting situations.  I was lucky enough to catch some lightning shooting a passing storm in the Valley of the Moon.

With all the rain, we have found great reflection pools in the desert and on the salt flats.  One point to remember with reflections, the lower you get, the more clouds you have in the reflection.  This image was taken lying on the ground.

We stopped by a flamingo preserve and found lots of flamingos to shoot, and a long lens was not needed.  I like to use a 9 point autofocus pattern to track birds in flight, this gives me the fastest focusing…no need for 51 point when you know which way your subject is going.

I have continued to be impressed with the 24-120mm F4 Nikon lens.  At f22, it creates amazing sunstars as seen here.  This is my favorite travel lens.

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

Easter Island

Thursday, February 9th, 2012

I’m on a photo workshop right now with Photo Quest Adventures exploring Easter Island.  The Moai statues are magical and great subjects for photography.  Topaz Adjust 5 is working well with adding some snap to many of the images.  We are also using Alien Skin Exposure 3 to add some great effects to sunsets…the Velvia action is a favorite.

Speedlights are a travel photographer’s best friend.  Time and again scenes photograph better with a little help from flash.  For the shot above, a SB900 was triggered off-camera using a SU800 transmitter, and a warming gel was on the flash to add some earthy tones to the image.

Another fascinating aspect of this island are the Rapa Nui people.  At one point their numbers dwindled to 111 people on the island,  but today their culture lives on.  We were lucky to photograph a couple Rapa Nui in ceremonial dress at sunset, a very special shoot.  I shot my Nikon 85 1.4, my favorite portrait lens.  I used one SB900 off-camera and darkened the background exposure 1 1/2 stops for this shot.

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

PDN Nikon Advertorial

Thursday, February 2nd, 2012

If you are a Photo District News reader, take a look at the current issue (‘DIY’ issue) on newstands now.  PDN and Nikon did a two page spread of my work in an advertorial on my ski and winter photography.  I have been a die hard Nikon shooter from the beginning, and I can honestly say I put my camera gear through very rough conditions, and it never fails.  This ad features the D3, which I plan to keep on using, it is a great camera.  But I will be adding a D4 to my arsenal shortly, can’t wait to get my hands on that camera!

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

digital photography
© Copyright Tom Bol Photography | Usage Policy | Site Developers