Photography On Location

Photoshop User Magazine

September 6th, 2011

If you are interested in learning more Photoshop technique, I highly recommend joining NAPP.  This organization offers tons of benefits for a small price, including online tutorials on many topics, great discounts on gear from many companies, and copies of Photoshop User magazine.  The current issue has my image on the cover and a spread of shots inside, take a look if you are browsing newstands.  Or even better, join NAPP to learn more post processing techniques.

On another note, I hope folks have seen the new iPad magazine Light It from Kelby Media.  This online magazine is designed specifically for the iPad, and offers the same functionality you are used to with iPad apps.  I am shooting/writing a column each month titled On Location.  The first issue is free, so check it out if you have an iPad.

I’m off to Photoshop World tomorrow.  I’ll be talking about high speed sync photography at the Manfrotto booth, stop by if you are in town!

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Elinchrom Quadra High Speed Sync at 1/2500

August 19th, 2011

Many of you have been asking is it possible to use high speed sync with the Elinchrom Quadra using Pocket Wizard’s Flex transmitters and Hypersync. The short answer is yes, very much so.  The image above was shot using a Quadra with ‘S’ head at 1/2500, F5 at ISO 100.  Camera was a D300s, 14-24mm F2.8 lens. MiniTT1 transmitter used, receiver on Quadra was FlexTT5.

Here is how the system works.  To start I calibrated my miniTT1 transmitter using the Hypersync utility Pocket Wizard provides.  I found a setting of -1800 gave me the best results.  I saw minimal clipping occurring at 1/1000, and just barely a slice at 1/2500.  As I went faster clipping became more apparent.  The bottom line here is since I shoot in outdoor environments, clipping is often barely visible at 1/2500, just a tiny band that is easily cropped out (just barely visible in the image above). The scene also affects how visible the clipping will be…dark backgrounds would minimize its appearance.

In this image, the shot was taken at the same shutter speed, 1/2500, but no clipping is visible because I shot wider and just cropped out the tiny clipped section.  I could also shoot slower and further eliminate clipping. Another note, my Quadra was set to around 200 watts, or half power.  I imagine I can project flash quite a distance at full power.

To trigger my Quadra and have Hypersync work required using a FlexTT5 transmitter in receiver mode.  The FlexTT5 was connected using a MM1 Pocket Wizard cable.  Plug the cable into the flash port (labeled P2 on unit) of the FlexTT5 and plug the other end into the sync port on the Quadra, your ready to go  (see picture). You can use a Flextt5 or MiniTT1 on your camera hotshoe.

The only way this system works is using a ‘S’ head with the Quadra.  The slower flash duration allows Hypersync more time to sync shutter and flash burst.  I tried an ‘A’ head and couldn’t get it to work…the ‘A’ head has a faster flash duration.

I have continued to use my D300s and Rangers in high speed sync mode with amazing results. This image was taken at 1/3200 using a ‘S’ Ranger head and MiniTT1 transmitter. The Power ST4 receiver was plugged into the Ranger.

One thing I haven’t mentioned earlier is you can control the Ranger power via the Pocket Wizard AC3 Zone Controller.  This fits on top of either your miniTT1 or flexTT5 and adjusts flash output. The ’0′ setting correlates to 4.5 output on the ranger, and the ’3′ setting will put your Ranger at 7.5, full power.  Having this control at the camera is very handy.

After testing these systems now for weeks, I can’t imagine not having high speed sync with my Elinchrom flash gear.  I have shot editorial assignments that I couldn’t have done before, and my mind is spinning with ideas to put the system to extreme tests.  Stay tuned!

One last note. Thanks to everyone who has emailed me from around the globe with their own experiences with this system, hopefully this post will address some of the questions asked and suggestions mentioned. I will be speaking at the Manfrotto booth at Photoshop World in Vegas Sept. 7&8 on this topic.  If you are there, please come say hello.

UPDATE: Pocket Wizard released a firmware upgrade that should give even better performance.  I’ll report back once I get a chance to try the new firmware.

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PDN’s Best Workshop Instructor List

August 9th, 2011

Photo District News just listed the 13 top photo workshop instructors in the country , and I’m very excited to be included on the list.  Thanks to all my past workshop participants who voted for me.  The rewards of teaching and working with students is something I really enjoy, and I look forward to seeing all of you on another workshop soon!

I decided to get out of the office the other day for a little recreation.  I went for a paddle on the Poudre near my house.  I used a head cam for the video, you can see it here.

I have been using two head cams, the Drift HD170 Stealth and the Go Pro Hero.  Both do a good job.  I went with the Hero for this shoot since it is waterproof.  Both head cams have lots of options for attaching the camera to various objects.  I used my skiing helmet for this sequence.

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Mnt Biker Portrait

August 1st, 2011

Busy shooting for a number of projects right now.  Also experimenting with Elinchrom Quadra High Speed Sync, stay tuned, should have the results shortly.

Needed to do a portrait of a mountain biker the other day.  We needed an edgy  commercial look, so we went with three lights to start.

We had a bright blue sky day, so we put up an overhead silk to cut the sun down.  Then added two strip banks, one on either side, and a small octabank as fill on his frontside.  After shooting a few frames, we decided to turn off the fill light octabank, and instead just used the two strip banks for the shot we liked the best.

Tech: Nikon D3, 24-70mm F2.8 lens, 1/125 at F16, ISO 100. Elinchrom Rangers strobes with A heads used, two strip banks and one small octabank.  Skyport wireless system triggered the lights.

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Flood stage

July 13th, 2011

Colorado has had an amazing run off this year, the snow just keeps melting, and the rivers keep flowing.  The Poudre River near my house has been at flood stage for weeks, and is finally starting to recede.  This meant there were photo ops that were unique with the big whitewater.

The narrows of the Poudre are Class 5 (very difficult and dangerous) and at this level no one is paddling this drop.  My friend Patrick has paddled the narrows frequently, and was game to check out the rapids at this level. Like most paddlers, he is looking forward to running this stretch of river once the water goes down.

He jumped out to a boulder with his boat for a photo.  We shot at twilight to get a slow shutter speed for the right effect in the water.  Too slow and the current turns to featureless silky ‘cotton’, too fast and the water doesn’t match the contemplative feel of the shot.  To add some separation and punch up the colors I used an Elinchrom Quadra at full power to add a little light on Patrick.  The light was placed to his right.

Tech: Nikon D3, 70-200mm lens, ISO 100, F22 at 1/5 of a second. Elinchrom Quadra with standard reflector used, full power, triggered using a Skyport wireless transmitter.

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Nikon Advertorial

July 7th, 2011

Back from Alaska, now working on two editorial assignments, summer is a busy time.  Had a great shoot with the folks in Alaska, tons of logistics go into making this shoot work, thanks to all who helped out.  Once again we got lucky with the weather and had some sunny skies and 1am sunsets. Really enjoyed shooting two days of canoeing in the backcountry.

I have worked with the folks at Nikon and Digital Photo Magazine for years, and was very excited to be chosen for a Nikon advertorial highlighting some of my favorite shooting locations. Take a look in the latest issue of Digital Photo magazine to see the spread.

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Alaska Factor

June 21st, 2011

In Alaska right now on an assignment.  Had the chance to see friends with my family beforehand.  We used to live in Alaska, and still love many aspects of life up north.  One thing we talk about is the Alaska factor.

The Alaska factor refers to how everything seems bigger and almost surreal up here.  The mountains are big, the wildlife is big, the stories are big.  You just never know what you will encounter here.

This great gray owl is a good example.  We were driving up to Fairbanks and found this owl on the roadside.  Great gray owls are not common, and seeing one in the lower 48 is a big deal.  In Alaska they hang out on the roadside. I always travel in AK with my long lens attached, you never know what animal is around the corner.  I was able to get a few shots of this owl before it flew into the thick boreal forest.

People have asked about the printing element at the Glacier Workshop.  We will have an Epson printer and show you how to get the best prints from your images. Everyone will get a chance to print and take home some poster sized prints.

And speaking of Alaska, there is still room on the Denali Photo Workshop.

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Underwater fill flash

June 12th, 2011

We are lucky to live right near a scenic river and big reservoir in Colorado. Our front yard in the summer looks like a yard sale of boating gear.  One day whitewater kayaks, the next day sea kayaks, and the next day canoes. Since my wife likes to sea kayak as much as she can in the summer, this provides great photo ops for me.  The other day she was paddling under blue sky conditions, perfect for a sunstar shot.  But this presented some problems as you can see by the top image.

First, she was backlit, so no light on her face or paddle in the water.  Since I was using an Aquatech housing for my D300s, the fisheye port had water on it which added a lot of little flare marks.  The image needed a little fixing.

To solve the problem I put my SB900 in a Aquatech speedlight housing, connected this to the camera housing, so now I had dedicated TTL flash. This speedlight housing is remarkable in that you can adjust setting while the flash is sealed inside, very slick.

I had my assistant hold the flash underwater aimed up at my wife and the paddle.  The flash added fill light to the paddle and actually projected through the water onto my wife’s face, perfect. Lake water is usually silty, not Bombay Sapphire blue like the Bahamas, but I still liked the added color underwater.

We also tried some images that were over/under but with the flash above water.  This also created a nice effect for this shot.

Tech: Nikon D300s, 10.5 fisheye lens, ISO 200. Aquatech housing used for camera and flash, fisheye port attached to housing.

I’m off to Alaska for two weeks shooting an assignment, stay tuned for posts from the far north!

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Underwater High Speed Sync

May 22nd, 2011

Some folks have emailed wondering how I got some earlier images that seem taken underwater yet still triggering flash above water. I have been using some fantastic gear by AquaTech to get these unique perspectives.

Here is a recent shot from floating in a snowmelt river using an AquaTech D300s housing and an SB900 housing.  As far as I know AquaTech is the only company that makes housings like this for flash, fully sealed hard shell housing with electronic ports to connect to the camera housing or a Pocket Wizard remote housing.  Brilliant gear, I couldn’t get these images without it.  I attach my Flex TT1 transmitter to the hotshoe inside the SB900 housing.  I have to unscrew the hotshoe mount so my transmitter can fit inside.  With this attached and connected to the underwater housing, I can shoot over/under images still using high speed sync.

I’m not recommending submerging yourself in a rapid, but that is about what it takes to get a good angle of the action.  I just slide out to where the current is as much as I can take, and shoot away.  The other key is working with a phenomenal kayaker.  I’ve been shooting with Patrick for years, and he knows exactly what we are trying to do in the photograph, vital to make these shots happen.

Once again I used an Elinchrom Ranger, ‘S’ head and Pocket Wizard Hypersync to get this image.  You have to shoot really fast to freeze all the flying whitewater.  In this case I used 1/2500 of a second.

Tech: Nikon D300s, 10.5 fisheye lens. ISO 200, 1/2500 at F5.6. Elinchrom Ranger and ‘S’ head used with sports reflector at a setting of 6.5 power.  Pocket Wizard Flex system used for high speed sync. AquaTech D300s and SB900 housing used.

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New York Times interview

May 16th, 2011

I have continued to experiment with high speed sync, with a few new points.  I continue to have success shooting at any shutter speed I want with my D300s, it nevers misses a shot or clips the flash.  This image of the skateboarder was shot midday using 1/8000 as the shutter speeed with the Ranger “S” flash head about 20 feet away, used one head with a sports reflector at around 75 percent full power.  This image was processed using Alien Skin Exposure 3, a great program for simulating film effects.  And my results are staying the same with my D3, around 1/1250 is about as high as I can go before clipping the flash.  For those interested in learning more hands on, I will teaching all this new material in Moab Sept. 8-11 with Photo Quest Adventures.  We will have numerous Pocket Wizard Flex transmitters/receivers for everyone to try with Rangers and lots of models.

Tech for skateboarder: Nikon D300s, 85mm 1.4, ISO 100, 1/8000 at F4. Pocket Wizard Flex system used with Elinchrom Ranger for flash.

Other news; the New York Times just interviewed me for some tips on photographing landscapes, you can see the story here.

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